Nikon 7072 Lens Pen Cleaning System

Technical Details
  • A simple lens-cleaning system
  • Small, pen-style design easily fits in any camera bag
  • Soft brush retracts into pen body to stay clean
  • Removes fingerprints, dust, and other debris that may compromise your image
  • Works with all types of cameras (digital and film), as well as binoculars, telescopes, and other optical products

Product Description

The Nikon Lens Pen Cleaning Pen System is an ideal accessory for any optics user, making it ideal for maintaining your digital camera or film, binoculars, telescopes, sunglasses, or stains. The retractable soft brush combined with a non-liquid compound on a natural chamois tip to remove fingerprints, dust and other debris which may affect your goal. The small pen-style design fits easily into any camera bag, like the soft brush retracts into pen body to stay clean.

Professional Battery Grip for Nikon D60/D40/D40x (Black)

Jenis J-ND60-P-B Professional Battery Grip

Technical Details
  • Vertical shutterbutton
  • LCD display
  • Clock, timer, and exposure Control
  • Uses 2 x Li or 6 x AA battery

Product Description

Due to the convenience of deleting unwanted photos and inexpensive media storage, we take a lot more photos than the film era. Today's digital camera puts a lot of stress and loading on the battery, hence the battery grip becomes an essential accessory to most of us. Jenis battery grip uses the same build material as the original manufacture on all its product lines, to ensure a long time trouble free operation with your beloved digital SLR camera. The build quality and ergonomic not only matches the original equipment, there are some added functions on the higher end products that are designed with the professionals in mind. The extra features are not available either from the original equipment or the other battery grip on the market. The S model (Standard) provides the same function/capability as the original equipment. It can take up to two Li-ion battery or 6 to 8 AA batteries (depending on the model) to provide extra power reserved for longer shooting time. Depending on the camera design, some can also increase the continue shooting speed. There is an extra vertical shutter button to provide easy operation when shooting in portrait/vertical position. The control wheel provides the same functions as the original control wheel with easy access when operating in vertical position. The P model (Professional) has all the features in the S model but with some advanced essential functions. There is a clock which not only display time, but also serves as a self-timer or long exposure shutter control that can provide up to 99hr 59min 59sec delay time/B shutter. The SD model (Super Dual Storage) has all the features the P model has except the remote capability, but adds two extra high speed CF slots for people who like to take a lot of photos on a trip. A larger B&W LCD screen is provided to display some of the important shooting information. The grip also does some basic file operation. A high speed USB2.0 connection is also provided.

Waterproof Case DSLR Cameras

Technical Details
  • Compatible with most SLR type camerasCase Dimensions: Length: 6.5in/165mm,
  • 13.8in/350mmTake great photographs right through the LENZFLEX windowsIt will float
  • with your camera in it!Keeps out dust and sand

Product Description

The DSLR Camera Case is an essential equipment for anyone who loves photography. This is an economical solution for protecting your expensive equipment from water damage, keeps the sand and dust. The case comes with a lens of clear Plexiglas, which will help eliminate any distortion when taking photos.

Customer Review

Aquapac SLR leaked in the case of diving in Hawaii, the first of me. I did not test the water under constant specified in the manual before proceeding. If not leak if you hold it constant or fixed under the water basin. Problem. If the failure is when I took it out to sea waves and the fact that while swimming with. I do not have cameras up to two feet under water. Aquapac state is good to 15 feet.
I returned to Aquapac and they began to refuse to respect the guarantees of. If my camera and sent to England. When I receive an email to the UK suggests that not only welcome but they will pay for the event Aquapac. But to pay for my camera.
I have been monitoring the case and the camera Aqauapac. State guarantees them their camera, but will not be liable to pay it to them. After the first issue, Aquapac stand behind their products. Next time I will. can of coke in the first case and to dive to place cameras in real-life test.

how to camera care water

Water does not react well with the film or digital sensors. Neither respond well to the battery or electronics. If the device is not for use underwater or encased in a tight, keep it above water. Use a mist of rain cape in case of bad weather (too heavy can cause problems for some cameras). If the conditions of glasses due to fog when you move from inside to outside or vice versa, there are good chances that your camera may be prone to internal condensation. Use a camera bag to isolate the camera and allow you to modify the temperature gradually. If the device is wet (only a few drops of rain), there are few things you can do.

* Open the camera (if possible) and turn so that water can circulate freely.
* Wrap the glass in a towel very absorbent, once all the water has drained evasion. Do not rub the workings of the device.
* Move the camera to a repair shop nearest professional immediately.

Bird Photography

Bird Photography

Bird photography is one of the most popular genres of nature photography. This should come as no surprise bird watching is a favorite pastime in the world!

Birds, by their nature, live in the moment and many have spent a lifetime to enjoy the moments for what they are messengers of song and flight, the beauty and grace. For many, bird photography is an extension of a long life to enjoy these magnificent creatures have always their behavior and joy with their songs. To see a pair of golden eagles circle engraved on the walls of Yosemite is easy, simply amazing beyond words. To listen to a flock of evening grosbeaks fill the air with their song on a concert of summer evening is one of the parks most beautiful.

Bird photography is also a very demanding effort that requires specialized skills and equipment - not just the camera used to take vacation photos with family and taking pictures convincing AI. Similarly, had the best equipment possible for the photographic work does not guarantee success. It seems that the most successful photographers of birds are not only specialized technical photography, but also have extensive knowledge of bird behavior and habitat. More importantly, all have a deep love and appreciation of their subjects.

In these pages you will find works by some of the most talented photographers in the world of birds. They not only share their exquisite images of birds for us all to enjoy, but also share their tips and advice on bird photography. We hope that your

nikon d300 best price

Special price from the Amazon
  • 12.3-megapixel captures enough detail for poster-size photo-quality prints
  • 3.0-inch LiveView LCD display; new 51-point AF system
  • In burst mode, shoots up to 100 shots at full 12.3-megapixel resolution
  • EXPEED Image Processing System and similar Scene Recognition System to that found in the D3
  • Self-cleaning sensor unit; magnesium alloy construction with rubber gaskets and seals

how to camera care shock

Nothing can send the heart of a photographer in his stomach like to see a camera is a triple Salchow into an asphalt parking (believe me, I did). With the exception of some old metal fully manual SLR, there are very few cameras that can survive a fall onto a hard surface from a height of even one meter. In addition to fully grasp the camera in materials resistant to shocks, all we can hope to do is to avoid the cameras of shock. There is a very common cause of a camera shock.

* Broken Strap
* Camera Bag left open
* Non-use of the strap
* Place the camera support Unstable

The best way to avoid these problems is just paying attention. Check your camera strap and connectors regularly for signs of wear or damage. Make it a habit to check that the camera bag is closed just before taking up. The use of the strap from the camera every time you use the camera. Is there to take the camera if you have escaped. Never use questionable support for the camera. Borders fence rails and scenic points of support are not acceptable. Use a tripod on firm ground.

how to camera care dirt

Dirt is everywhere! Its in the air, her under our feet, and too often on her (and) our cameras. While the dirt out of the camera is not a problem (except the lens of course), its potential has dirt in your camera that is the problem. Dirt in a camera can make moving parts, damage mirrors, plug the electronic contact points, get into the film, and respected by digital sensors.

The best course of action to deal with the dirt in your camera is avoided. The vast majority of shooting situations, does not cause problems with dirt from the unit. However, certain situations are recipes for trouble. Beaches, deserts, racing, motocross, marshes and other areas are subject to more dust and dirt that use everyday. To protect your camera is preferable to use a rain cape for camera. Hoods of rain vinyl / plastic bags for cameras targeted to achieve greater control of the camera, while protecting the device against environmental conditions. You can buy these at your favorite store or make your own camera with a large zip bag. To make your own by cutting a hole for the camera lens in one side of the bag and use to end zip to get their hands thank you for the controls. You should carefully secure the bag to the camera lens with tape or rubber band. Be sure to use a bag big enough to allow movement of the target, if you use a camera-type SLR.

Another time, the dirt is in a camera during lens changes and load the film. If you're not careful when changing lenses or film loading a lot of airborne dust / dirt can enter the camera body. To minimize dust when changing the objective to turn the camera down and press the camera lens. This prevents dust from falling into the camera body. When the film changes, hold the camera horizontally, instead of leaning forward.

How to pick up della fotocamera[2]

11. Compact digital camera models small low-cost single-use lens does not zoom as 35 mm a little better to be 2-3 times as zoom 35-70 mm or 35-105 mm, so this number is. compared with 35 mm film camera use, but if you look at the actual lens. To specify a number less than more because CCD is much smaller than the film itself, such as Minolta Dimage 7i or 7Hi the 7.2-50.8 mm lens equivalent to 28-200 mm zoom lens, if a start with more general view. Will take advantage of that narrow to a better start at 28 mm or 30 mm

12. Digital zoom feature that is not nice no matter the time of digital cameras that see your ad. How much zoom to see Optical Zoom, which will tell in the specification is 3 times as 3X lens wider ranges from 30-90 mm and most like to say that a 2X digital zoom and then zoom. 6X is a 30-180 mm, but in fact the digital zoom at 180 mm maximum image size is smaller as the 3 million pixel resolution, if the digital zoom will be reduced to only 1.5 million pixels, etc. Not that zoom. very. By the same resolution if you use the Optical Zoom 3 times the 3 million image pixels, and then take a year or Cross to cut the remaining 1.5 million pixels equal to that taken with a zoom lens is 6 times as well, but if the. Since the first digital zoom is easier to do. Where not to cut the picture later. And some digital cameras when using digital zoom. Quality will not decrease. (But reduced size image) with different video cameras. More digital zoom is very much more coarse. It took an existing picture. Enlargement of the building-block. However, some methods of image editing and extended file. Large as the original. This quality will surely decline.

13. Would monitor called. Equipment, waste batteries. Because of this. More power from the battery. Size does not leave the screen open soon. Bought a new battery. Or a full charge. Is rapidly exhausted. Good digital camera. Should adjust the brightness was. And show the correct natural color. This will allow management to computer color. And color printers to seamlessly match the most accurate monitor color to channel. (Although the image is color accuracy. When you open the computer sector) will then invite more edgy feel. Will come as a distorted view. Do not forget to see that specification. A zoom function that has been taken or not. Zoom Zoom and how much less. Very very good up to 100% if the best video because it has full definition of how each point. Phase D covers all clear or not. If not good to shoot some new camera like Sony DSC-F717 cameras designed to roll with the lens has. Makes it easy to view photos of high or low angle rotating around some reverses, such as the Canon G3 camera monitor some very large 2.5-inch, while the majority is only 1.5 or 2 inches makes a clear visual. than. Hood throw some shade to the. The flap design such a Panasonic DMC-LC5 or Fujifilm FinePix M603, etc..

14. Recorded sound files to play ball this image is only in some cameras will only record at most 5-15 seconds which is long enough to reminiscent different. Open to open the hearing time. มื่ the open mode view. The monitor or the computer.

15. Optical Viewfinder when viewing images from the monitor battery consumption more. We should see a picture from a screen instead of optical power, because little. Zoom from the relationship. With the focal length of lens. However, some cameras. No box to view this image. Should see better with specification. Disadvantages of the field of optical visibility is not looking through the lens image. Time photography near. There will be a difference together. To see the picture above. Not to exceed the limit line shown. If the picture must close. Could use more pictures. From the monitor instead of better. However, some cameras. Monitor is available to view images already taken. Only to see menus.

16. Video clips still cameras. Most digital compact. Motion pictures as well. Model similar to the video camera. But often have very small images such as 320 x 240 pixels, but some models such as Fuji FinePix S602 or M603 camera has the size 640 x 480 pixels or VGA size video camera as the general. Some moving pictures. Possible only. However, some recording with. Fort format images are both MPEG and Quick Time imaging speed by 10-15 frames / second, much smaller file sizes suitable for use to send pictures via email. The image is starting to see a little bit for a model specification stated. Speed camera at 30 frames per second video will be smoother, more natural are not very common on video cameras, and most will shoot a short video clip up to 30 or 60 seconds per picture some years the amount of capacity. cards.

17. Focus digital camera almost. All Models Auto Focus system is running completely soon not much different. Some models have specific focus in the middle image, but some have 3 or 5 points scattered throughout the image, whether the model or that want to be in any position to adjust the focus precisely. The camera will automatically select the focus. Or select a custom time. But sometimes we need to focus system cream Man. For some special effects. Man the soft focus. Tend to focus manually select the numbers specified period. The error was simple. Some camera models have adjusted the focus ring rotation to accurately than similar SLR cameras also have a mode Infiniti. (Mountain symbol) for photography that is remote. Imaging camera will be faster because it does not need to find another focus. And should be considered. View that the macro mode or not, even if some cameras. Taken to indicate that near the end was only a few centimeter. But a picture of the wide angle zoom. (Like video cameras) that use was not good. Equal to the Tele Macro. Try the zoom lens Tele view. Then picture nearby. See how much less.

18. The most flash digital compact camera is small flash work in automatic proof credentials when light is too small. And flash systems. With low shutter speed. Makes use of Flash. Night photography. Not dense black background. Relationship or the flash. The second shutter curtain. Special techniques for imaging the flash fix red-eye movement. When people use photography in the near term will be a very plain, but if can use external flash. That some cameras use film cameras from manufacturers such as Canon PowerShot G3, Minolta Dimage 7Hi and Nikon CoolPix 5700 is a hot flash, with a lift off. For the flash of cameras, 35 mm to a high powered camera more.

19. Systems for recording function imaging does not differ much with the camera to film. Most automated systems are the main program. The camera will select the shutter speed settings. Aperture and appropriate. If less light will adjust to higher sensitivity. (Select mode sensitivity Auto), easy to use. If you have knowledge. Photography. May use Auto shutter mode. Auto Aperture or soft Man and automation functions are also adjusted compensation light. If the image back to light or a background image darkness. To have an optical image fit. Also. Imaging system astride. The imaging camera will continue 3 or 5 images in each image with different light settings. Defined. Some overlap with the imaging system to create. Some special pictures.

How to pick up della fotocamera[1]

1. Budget must come before others see that. You will have a set budget does. To buy a camera. A digital option. Because market prices are from a simple camera. Price few thousand baht, which do not have much. A fairly early start from any of thousands. Sort by banishment to the specification and quality improved. To several hundred or thousands of keywords when setting the budget and then as two billion baht would look only at cameras in our budget. Models with higher prices. Would not be considered to have a headache.

2. See if the image sensor specification is often written that Image sensor or talk Image recording device that is simple to use images instead of film for some brands, the CMOS, but sure enough, most or nearly all of the CCD, but some small, some large, large. than small advantage. It collected more details. However, prices are more expensive. May be found from that specification as the CCD size 1/1.8 inch, 1/2.7 inch or 2 / 3 inch (measured along the crosswise).

3. The depth of color, or sometimes called Bit Depth Color Depth greater depth of color very much. Will store the details. Shades of color better as 10-bit / 12 bit color / color means that the natural color is a 3 color RGB if 1 has 13-bit color display 3 will have 36-bit color, etc. If a high-end level-measuring instrument. Could do the 16-bit / 48-bit RGB color or is equivalent to a good and treasured Eastern and slide film, but do not know why some cameras have some brands only. Revealed that the camera itself. The depth of color does. Even if the camera specification low as 8 bits / color (which is actually much because it has been 24-bit RGB color display 16.7 million shades) almost do not want to speak out. If the pro level-measuring instrument. Often to see the new figures show. Who have no more than another. The shades less. Will not make color separations, such as poor petal purple. Medium red and red light. View the naked eye. Color gradation is well. However, ladle into a single red color. If the slide film is close to the eyes see. (Slide Pro will do better).

4. See resolution to the Effective Time to buy more digital cameras. We often hear people say that this 3 million pixels, this 4 million pixel resolution, but the majority of the image sensor. Paphring size is less than that. See specification in the manual or brochure for Effective word which is actually the image size as the brochure says that 5.24 million pixels, but the specification that identify clear. The largest image size is 2560 x 1920 pixels if they are multiplied by 4.9 million more pixels and so on.

5. Interpolate in some cameras, if we look at the image size specification may be surprising because, were multiplied. Have greater resolution, such as CCD 3 million pixels, but has the size to 6 million pixels, the image is because. A certain technology. Add to a higher resolution, such as building-block of the Fuji Super CCD or the EPSON HyPict a good start, but the quality is not quite equal to the resolution of the CCD camera, but better version of an Effective resolution are the same, however. Adding quality to better interface with the technology to assist with the implementation of different images. To increase resolution. With software application software such as Adobe Photo shop, the quality is significantly worse. When added to 1 times the resolution of this method, we often called Interpolate the camera has these functions. A menu to choose whether to use or not.

6. Reduced size image. Although the camera. High resolution is good. But must not forget that. The file size will be large. New in the Maureen eat, even more cards. If less capacity cards such as 16 MB to 3 million pixel camera to shoot a few pictures are full. Requires high-capacity cards other. Sometimes we just want. Notes. Or send email. Or, use the Web site operators that need a lower resolution with Photoshop or other programs that left only 640 x 480 pixels or smaller. But most digital cameras. Choose a size multiple images. To suit the work will be used, such as cameras, Olympus E-20 select image size small, 5-level top at 640 x 480 pixels and so on.

7. Response response, or nearly all of this digital camera. Not specified in the permit. Specification of the camera itself. Except high-end compact camera or digital SLR will be considered a highlight. To talk in some brochures out ครับ. Response from some. Open switch and camera. Ready to press the shutter photography. Less than half a second. Virtually no difference with Auto Focus camera using 35 mm film perfectly. Cause not feel that. Using digital cameras or film, however, this technology has been developed. Better, respectively. To low-cost digital cameras. Will have to meet. Fast high-end cameras do not lose that expensive.

8. Buffer even very good. Of the buffer. Or memory in the camera will help many imaging. A continuous speed that is after we press the shutter. Imaging and image data to the image via Select Sector Leasing. Rooms will be stored before the buffer. Before recorded in the card to (as the current ทึก often green or red light. Flashing warning to let you know) this picture to us at all. Do not wait for cards to finish recording before. If the buffer much. Will be taken quickly and has continued several consecutive images, such as cameras, indicating that specification. Photos continued earlier consecutive 3 frames per second 10 frames a single stretch means that if the full 10 frames will not have to press the shutter. Because the buffer full. Must wait before recording card. When there is enough space left to the picture again. Without waiting for image storage. Down cards and all 10 images before the buffer is large when to press the shutter and then. Zoom to view images. Expanded view of the parts. Picture or photo removed leave immediately. Do not wait for anything less.

9. Fort file format RAW high-level-measuring instrument with high resolution. A software format called RAW to JPEG or TIFF options than the software because the format is RAW data color depth better example of Nikon digital SLR models D1x file formats. You will have 12-bit RAW / JPEG color, but if the remaining 8 bits / color, etc. It also contains smaller Fort TIFF format by the quality has dropped as well. But the open view. Requires the software application software. With only a camera. Can not open the program Adobe Photoshop or other image program also decorate photos in RAW format software can also customize or edit the images taken are not good to good. As re-imaging, such as adjusting brightness or dim images or adjust White Balance, etc. for Digital Impact Communications Today there are several versions of the software formats such as RAW Canon PowerShot G3, Nikon Coolpix 5700 and so on.

10. White Balance or balanced white light. Function is in every digital camera models. The last we know. White Balance in Video Cameras using CCD images are also most likely have the White Balance automatically adjusts the color makes images taken correctly. Whether outdoor photography. Or other light conditions. With different color temperatures. If a camera uses film. The balanced with light lunch. The color temperature of 5000-5500 degrees Kelvin is the color images accurately. When imaging with light lunch or light flash only. If the indoor temperature in the high-color images have a blue tone. Low color temperature or evening. Image is the orange red tone. But digital cameras. To color correct and always has set the Preset to adjust the various light conditions, each model also has not selected the same light as the sun light in the indoor lighting of electric shock on Blue Forest. Access Management in Building Tagsetn light cameras, etc. are some pictures astride the White Balance by the picture 3 or 5 consecutive images, each image is adjusted to different color temperatures. Then choose to keep. Only images with accurate color scheme. Most realistic. Or to modify the color temperature. With the software application software plus a. With any camera.

How to pick up della fotocamera[2]

customer d300 review [6]

The D300 is not the newest kid on the block, but it is a great camera. I've been shooting for a couple of months now and I like (bought used / refurb Fred Miranda).

I'm not really much of a fanboy to make, after the shooting Pentax and Canon too, but overall I'm happy with the D300. We list some pros and cons:


+ Good Monitoring System. I discovered that I liked better than Canon 40D, but not as good as the Pentax K20D. Most of your most important functions are located on external controls or customized (to a degree) butttons.

+ Good image quality, especially with the glass and a good shooting technique. This is true of many cameras, though. I like the D300 jpeg output, although very nice ...

+ Nice build quality. Anything that feels safe, non-flexing, etc. I have not shot with the camera in very cold weather. I have encountered serious problems or concerns with the camera.

+ Flash commander is beautiful, lots of options for AF are beautiful, slow tuning if you need them, large high resolution screen on the back. The AF is great once you learn the nuances of different ways.

+ Banks, customizable shooting a custom menu.

+ AutoISO is impressive and trounces implimentation Canon.

+ A large viewfinder 100%.

+ House seems damn accurate to measure matrix.

Now, some disadvantages:

- The rear pad control does not have a separate, raised "Enter" as the D90 does - you have to press / click the pad down everything - sometimes this results in accidentally pressed (left or right) instead of the click . Not a huge problem - I learned to just click-> right through the menus, because it acts as an "enter" press.

- The noise is quite good, but do not expect miracles - you need a good exposure at high ISO sensitivity. If you want to shoot in darker scenes, with great high ISO, get a D700. The D300 is good, but frankly I can not tell a big difference between the acoustic performance and the 40D, especially in the prints. I usually try to keep ISO maxed to 800, unless you know gettling decent light, then I hit about 2000 max.

It 'a good car, but do not expect miracles noise.

- There is no option to press "Fn" and immediately return to the root element in "My Menu", unlike the D90. Minor quibble.

- It's free :-)

There's lots to like on the D300, and very little to dislike. The click the back pad is probably the most annoying, because you run all the time, but only a real problem when not using the right button as the Enter key.

Otherwise, great camera. I hope that lasts for many years.

customer d300 review [5]

This is the body that moved me from Canon to Nikon - the dark side. After 25 years and over shooting Canon bodies, the D300 was so tempting, I had to try one. Big Mistake. I tried one in a camera store and the next day, I was selling my Canon gear.
The D300 is infinitely configurable - with 4 banks of stored shooting settings. 51 points of focus, auto-ISO, AF tracking precision. Simply incredible colors. The D300 is the body of the Canon 50D should have been.
One thing: Nikon Canon has not taken when it comes to glass. This can not be overestimated. Unless you're buying $ 2000 each lens Nikon Pro - and these are very, very limited in numbers (at the bottom of the 14-24, 24-70 and 70-200 - $ 200-400 more in 5000) 'll compromise. There are openings per setting targets for Nikon F4 - unlike Canon's offerings. Be absolutely sure you can live with the lenses out there before making the switch.
I researched the heck out of the D300 before you buy - but I made the assumption that the Nikon lens lineup is as good as Canon's lineup. Fortunately, I am not a professional, so you get the most is not so important to me as it could be someone else. On top of that, the pro-Nikon lens lineup of consumer is much more beautiful than the group of Canon consumers. So that the work for my needs.
What would be perfect, of course, the D300 is printed on the front with Canon, Nikon and quality within a EOS mount. Yes, and that the economy of work!
Still and all, your body absolutely the best on the market, period, less than $ 1500. Simply superb. It is often said that the photographer makes the photos and the cameras and lenses are only tools. A good photographer can do a body good market outperform a big body in the hands of a photographer poor. This is true. However, this is a piece of gear that will make any picture better.

customer d300 review [4]

I used my Nikon D80 about a year and decided it was time to upgrade. I search my D300 and buy books to learn before you buy. I brought some of my courses at local universities in the picture. image for the beginner I can not imagine my skills. 10-day cruise in the Caribbean, is another 2 weeks, when I decided to buy the D300. While I was thinking D300 battery out and start shooting. I'm not sure if. camera problems, but when shooting in manual mode (which I always do to get the depth of field and displayed as I want it) I have never been properly displayed. I adjust the main and sub line. light and had approached and was not found. I can not view through the research.

Way of life, I seem to have to press the 2 button 3 times to get the shot. I try to adjust the dial multiple and difficult, nothing works. After a couple of days I decided to take D300 and D80 in my journey.

I'm not sure that this is a bad camera or the camera is above my level of skill. Nikon product you know, because I can not believe it was a good image is almost impossible for me to meet in closed session. this camera.

customer d300 review [3]

I upgraded from the D80 and D300 certainly worth the upgrade. And some are night and day. The quality of the image in an ideal situation can be different, but very good high ISO performance than the D300 and D300 of 6/FPS. quite useful for making action / sports / nature images. This is the main reason why I am fine, 3/FPS D80 is not enough.

Then a far, far more than the Auto Focus D300. D300 focus ED AF Nikkor 80-200mm lens faster than the D80 makes F2.8D I do it does not feel that I need to upgrade in the AF-S zoom range.

Quality of construction far more than D80 and D300 added buttons and position them make more effective use of cameras at any time if you switch between AF-C and AF-S is a single point focus and multiple focus. N. . annoying to be viewed online at the Exchange intends to move up (sometimes in the D80 will be my intention to move the focus in the M-critical and are not aware of it and the first pair of images is only white). .

Then the D300 is actually a compact flash card that is more reliable and SDHC cards are easy to manage as much as young and have no contact point red.

D300 has only been in the flash can act as a command to turn off camera flash (such as SB-600/800/900), which is very useful and makes it possible to know the right end of the flash from the box.

In addition, if you find the D80's LCD monitor when images are delays in the move and have lost all Zoom D300. The one thing that really bothered me that D80 blame. D300 with the delay is almost imperceptible not speak. you have more and better screen 3 "to view images on.

D300 also features that I want is "D-Lighting. I often use this function when recording a backlit subject, or in the shadows.

customer d300 review [2]

Now it's safe to say, there are a lot of good reviews for this camera, and might not even have anything new to say, but I'm going to say anyways.

I had the D200 (a wonderful and camera) for about 16 + - months before considering the D300. I wanted the D300, but did not need the D300.

It all started one day when I started planning a trip to Florida ... sort of. I usually go on weekends to try to relax to take pictures. I am new to this, so I spend a lot of time, but no where near enough time, shooting and learning to make the most of the D200. Now I am sure that I am not the camera, but many of my shots were on the Darkside (light - dark), so I was spending a fair amount of time dealing with this in PS, iPhoto and Aperture. This was because I'm color blind, who knows, but it was a problem (for me). In any event, the Nikon D300 was announced and said it was a much better camera (surprise?). Well with my next trip, I decided to see if I could sell my D200, and then get a D300 and cross my fingers.

Well I sold the D200 on a Monday, D300 my new order from B & H Tuesday, understand that here on Friday, got together, tested, loaded into the car, and went to Florida.

Well I took a few pictures on the way down, and read the book in a hurry (my first mistake), then I would be better prepared when I arrived in Florida.

Florida is about a 22-26 hour drive from Maine, and did not give me much time to play or read before my arrival, but I hoped enough. After all it was just an up-grade to a camera that I used for some time.

WOW, I took 25 + - photos in a beautiful park across the street from the hotel I was in, and all images have been wonderful! Wonderful, in the sense that they were not dark, blurry or anything. Yes, I said to myself, I was lucky, the default settings are better suited to my way of shooting the lights better in Florida then in Maine, I just had a good nights sleep ...?

Well I had the camera now for some time, and the rate is 10 times more keepers than he was with the D200. Now, this only means that I'm getting what I consider to be, the best picture, and after all, I am the only one that counts here - right:)

I could ramble for hours about this camera, but I conclude by saying "It 'a wonderful camera, that I am glad I bought real." For me, he made a big difference in the quality of my photos, so for me means, I'll get better, easier, and you use the camera more.

customer d300 review

I purchased this camera six months ago from Harvey Palmerston Money in Western Austalia zoom 18-200. This is my second DSLR Pentax istDS is my first.

It took me five or six months before the Familiarity with the camera and the best of it.

Cameras have the pleasure to use more happiness in the characteristics and feel of the camera. E 'surprise and art. Magic is capable of both. Nikon has designed a great complexity and capacity of it. But it's the ideal beauty. the camera will stay with everything that should be completed.

Tiffen 52mm UV Protection Filter review

Technical Details
  • Most popular protection filter
  • Provides basic reduction of ultraviolet light
  • 52mm diameter
  • Helps eliminate bluish cast in images

Product Description

Protects lenses from dust, moisture, scratches, and other damage. These filters can be kept on the camera at all times.

Customer Reviews

The product felt strong, solid, and well put together. The glass was clear with no visible tint or imperfections. Although this and another filter (same type different size) both arrived with smudges on the glass. The smudges were fairly easy to wipe off, but I suspect the items are either not cleaned before packaging, or I received someone's returned item. However, I had to return this item since they DON'T contain any anti-glare/reflective coating on them. When shooting towards a light source (light bulb, tv, sun, etc) a green reflection of the light source would appear on the recorded image. The green reflected image was caused by a reflection bouncing off of my lens's green tinted anti-glare coating which was bounced right back into the camera by this filter. If your lens isn't coated in an anti-glare coating the result will be even worse.
Instead I picked up Quantaray filters from a local Wolf Camera that were coated with the anti-glare. They only cost a little more, and the green reflection is now gone. Make sure you look for a filter with the anti-glare

Nikon 35mm f/1.8G Details

Technical Details
  • Engineered for Nikon DX-format digital SLRs - Optical formula optimized for use with Nikon DX-format digital SLRs
  • Aspherical lens element - Minimizes coma and other types of lens aberrations, further improving image integrity
  • Nikon Super Integrated Coating (SIC) - Enhances light transmission efficiency and offers superior color consistency and reduced flare
  • Exclusive Nikon Silent Wave Motor (SWM) - Enables fast, accurate and quiet autofocus
  • Close focusing to one foot for creative perspectives and versatility
Product Description

With a compact design and lightweight, the AF-S DX NIKKOR 35mm f/1.8G provides the capability of reproduction and high image quality for which Nikkor lenses are famous at an affordable price. The SWM ring type offers a quiet AF operation. Although all lens groups shift during focusing, the front element and filter mount does not rotate and the barrel length does not change, which is useful when using the filter mounted SB-R200 Wireless Remote Speedlight units.

The AF-S Nikkor 35mm f/1.8G DX optical design enables a different look and feel of pictures taken with zoom lenses, and its dimensions are ideal for snapshots discrete and landscape shooting with a picture angle that approaches to the human eye. Rounded diaphragm opening its seven laminated, out-of-focus elements appear more natural. When mounted on a DX format digital SLR, the picture angle is the focal length equivalent to 35mm to 50mm.

The AF-S NIKKOR 35mm f/1.8G has two focus modes, M / A (manual override autofocus) and M (manual focus). The M / A mode enables instant switching to manual operation during AF. The lens also has a rubber seal to minimize entry of moisture around the mountain and can concentrate up to 0.3 meters (0.98 m).

AF-S DX Nikkor 35mm f/1.8G Lens Highlights
  • Fast, f/1.8 objective is ideal for low light conditions, travel, portraits, environmental and general photography
  • Designed for Nikon DX format digital SLR, the AF-S DX NIKKOR 35mm f/1.8G target renders a picture angle approximating the angle of view of a classic standard 50 mm lens on a Nikon digital SLR camera or a FXformat 35 mm film camera
  • Aspherical lens elements minimize coma and other types of optical aberration, further improving image integrity
  • Nikon Super Integrated Coating (SIC) improves the efficiency of light transmission and offers color consistency and reduced flare
  • Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and silent autofocus
  • Close focusing to 1 foot for the prospects creative and versatile
  • Rounded 7-opening of the diaphragm blade makes out-of-focus elements appear more natural
  • Accepts 52 millimeters of attachment filtering

Nikon 50mm f/1.8D AF Nikkor Lens Details

Technical Details

  • High-speed normal lens
  • Great for travel and for shooting full-length portraits in available light
  • Distortion-free images with superb resolution and color rendition
  • Provides high-contrast images even at maximum aperture

Product Description
The Nikon AF Nikkor 50mm F/1.8D is a high-performance lens with the following specifications: Lens Construction: 7 elements in 6 groups Closest Focusing: 045m/1.5ft. Filter Size: 52mm Dimensions: 2.5 x 1.7 in. Weight: 7.9oz. Lens making is an art - Nikon Nikkor optics artisans craft with the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of the lens to do more and more difficult in their effort to provide the glass "that makes the world's largest pictures.PRODUCT FEATURES: D-type lens design provides distance information as part of flash and ambient processes exposure to light; Classic normal lens provides speed and compact design, multi-layer coating minimizes flare and ghosting; Exceptionally lightweight and compact - ideal for travel photography; stops to f/22 for excellent depth-of - control field.

Customer Reviews

I do not even know where to start. This lens produces sharp pictures and great color and contrast. And for its price (which does not even know where to start. This lens produces sharp images and great color and contrast. And for its price (which seems to climb recently), is worth more than 5 star rating. I initially achieve this goal due to lack of light and action sport photography (as this lens is known to be one of the lenses as fast with his brother 50mm f/1.4), but I also discovered that this objective is also perfect for the portrait and other general purposes (macro, etc.). This is definitely a goal very versatile.

As far as I want to encourage everyone to buy once this goal, let me quote some of the limitations that you would see (which I think will be useful to pass before deciding to buy this lens):

First, being a primary objective, you need to move his feet much to compose the image. If you are used to zoom, do not underestimate this limitation. It takes me a little 'getting used to it, and sometimes I still find people looking at me wondering why I'm going back and forth. The good news is that most of the time, do not think I'm strange, but they are actually asking if I am a professional photographer.

Secondly, the focal range of 50mm, which is considered the normal lens and great portrait lens. but on many digital SLRs, which is not full frame (unless you have a full frame DSLR like the Nikon D700 or D3, then 50 mm and 50 mm), this goal becomes an equivalent of 75 millimeters, which is the boundary of a short tele lens. I really like the equivalent of 75 millimeters although I often have to go back when you take pictures of a group of people.

Thirdly, in some cases auto focus may not be able to focus (which is common to many others too slow). It 'difficult for the autofocus to lock it points to a wall which has a color (usually white or black), or a clear sky (day or night). This kind of sense to me really. In these situations the AF assist light does not help so you can opt for manual focus or set the focus at infinity when you can not find focus lock on scenic / landscape or sky photography. So far I have many problems with the autofocus.

Sharpens, as we pause to af/2.2 of/2.5. I actually use f/1.8 most of the time and the results are still beautiful. Personally, I prefer to use the setup for the opening of f/1.8 stopped down (eg to f/2.8) and compensate with higher ISO setting which often gives me grainy photos. But if the object is not moving (static) then it is better to stop up to 2.8 or more.

If you're wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In general, VR helps a lot (since it reduces camera shake) and produce a better / sharper picture the equivalent lens without VR (especially if the object is static). If the object is moving (sports / action) then VR feature alone does not help (depending on how fast the object is moving and how much light is available), and a fast lens, often turn out to be a solution much better, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote control) will replace the need for VR. In general I would recommend getting a fast lens with VR (and usually expensive) as the VR 70-200 mm f/2.8, but if you can get it for one or the other, then discover that what you want to use the lens for and then use the guidelines outlined qui.h seems to climb recently), it is worth more than 5 stars rating. I initially get this lens for low light action and sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.4), but I also found out that this lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.

As much as I want To encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before Deciding to buy this lens):

First, being a first lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, do not underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. The good news is that most of the time, they do not think I'm weird, but they are actually wondering if I'm a professional photographer.

Secondly, the focal range of 50mm, Which is considered the normal lens and great for portrait lens. But on many DSLRs Which is not full frame (unless you have a full frame DSLR like the Nikon D700 or D3, then 50mm is 50mm), this lens become a 75mm equivalent Which is on the border of a short tele lens. I actually like the 75mm equivalent though I often have to move backwards when taking picture of a group of people.

Third, in some situation the autofocus might not Able to focus (which is common for many other lens too). It is hard for the autofocus to lock when aiming at a wall that is one color (usually black or white), or on a clear sky (day or night). This kind of makes sense to me actually. In these situations the AF assist light does not help either so you can opt for manual focus or set the focus to infinity when you can not find focus lock on scenic / landscape or sky photography. So far I do not have many problems with the autofocus.

Sharpness increases as you stop down to f/2.2 or f/2.5. I actually use f/1.8 most of the time and the results are still nice. Personally, I'd rather use f/1.8 aperture settings than stopped down (eg to f/2.8) and compensate with higher ISO settings Which gives me often grainy picture. But if your object is not moving (static) then it is better to stop down to f/2.8 or more.

Whether you are wondering if you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better / sharper picture than equivalent lens without VR (especially if the object is static.) If the object is moving (sports / action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to Use the lens for and then use the guideline mentioned here. More>>>

Battery for D200, D300, D700 and D80

Product Description

Manufacturer Description
EN-EL3e Li-ion Rechargeable Battery for Nikon digital SLR cameras. Keeping a spare battery on hand ensures that you will always be ready to capture the images you want most. And, while Li-ion rechargeable batteries are less prone to recharge "memory," using the normal complete charge of one battery before recharging will better ensure optimum rechargeable battery life. A freshly charged spare battery allows this and provides uninterrupted photography. Compatible with:
Nikon D50, D70, D70S, D100, D200 Digital SLR Cameras. Can be used with MB-D200 Multi Power Battery Pack.

Customer Reviews

-To begin with, if you're looking at this battery, you might have a D200. If so, you have no choice in the matter. Whether it's 1 star or 5, if you don't buy this battery you have a $1,700 paperweight (and yes, I'm the proud owner of a D200 in non-paperweight mode). Second, the battery is not what's at fault here. The D200 is
an energy monster. It sucks these poor little guys dry like a starved man at a all-you-can-eat. (This is the price of the incredible functionality offered by the D200. If you want longer bettery life, you'll have to give up MUCH of what makes the D200 the powerhouse it is.) The EL3e performs wonderfullly in the D70/50, providing slightly longer life than the recalled EL3a (the third contact on the EL3e is for the D200 only. The 70 & 50 both ignore it).

Bottom line: There is nothing wrong with this battery. If you have a D70 or D50, buy with the assurance it will take many, many shots on a single charge. If you have a D200, buy because you have to then realize that *you* determine how long the battery lives. A VR lens will cut an already "short" battery life even more. So, you can complain about the battery being the issue or the D200 being the issue. Only the latter is correct. If you want long battery life, go back to the D70.

Personal rant: The D200 is worth the reduced battery life in so many ways that I'm actually annoyed with those that complain about this. Sure, the battery could last longer, but why stop there? I'D like 20Mp, ISO speeds to 3200 with no noise at all, a 10-400mm VR lens tack sharp at all apertures with f/1.4 throughout. But you know what? Not gonna happen. The D200 provides FAR more capability than what you actually paid for (just ask D2X users), so stop whining about short battery life. There's no such thing as the perfect camera. The D200 comes so close, however, it's almost sacriligious to whine about it. By all means, let's teach Nikon a lesson! How dare they give us this camera at 2/3 of what they could *easily* sell it for and not give us 800 RAW's/charge? >:(

And FWIW, you most certainly CAN get 1800 JPG's from one charge, You just have to do it like Nikon did. Yes, their tests are unrealistic in that respect, but if you're so upset about it, return the camera and let someone who will appreciate it have their turn...

PS To "Dwarfbug" why did you give the *battery* 2 stars? These reviews are exactly that: reviews. Speak about the product in question. Don't just respond to someone's review and drop 2 stars with no explanation why. And also speak about something you know. There is no recall on the D200. There is a recall on the EN-EL3 which will not work in the D200 anyway. It is a D50/D70 battery and is replaced with either the EN-EL3a or the EN-EL3e (the "e" being a pretty sweet deal (some even resell them to D200 users a buy TWO 3rd party EN-EL3a's (Targus, etc))).This battery is backwards compatible with the D50, D70/70s, and is used in the D80 and D200. So if you have any Nikon DSLR and want a second battery, you want to get this one so that when you upgrade your camera you can use the battery.

-This battery has built-in circuitry that tells you the actual charge status of the battery, and it is accurate. This is a big deal; *if you are using the D200 or D80* it lets you know when your really do need to switch batteries or charge up. This is the first battery I've seen that is accurate in this regard. Kudos to Nikon. (This feature does not work in the D50/70/70s but the battery otherwise works fine).

Read more review>>>

Nikon ML-L3 Wireless Remote Control

Customer Reviews

  • If you own a D70 you simply can't be without this item. Because Nikon chose not to include a mechanical cable release option (or an electronic one either), it is difficult to shoot at slow shutter speeds, even on a tripod, without getting camera shake affecting your images. You can use the timer, but that doesn't always work for your shooting situation. With this remote, you get the same basic operation as a cable release as well as a bonus that you can put yourself in front of the lens and use the remote to trip the shutter release. It also works in combination with the self timer. One small concern is that because it's an IR remote, you must point it at the sensor, which is on the front of the camera. This can be awkward standing behind a tripod, but not seriously. I really enjoy using this product.

  • Well...its a remote.
    I use it with my d50 and it works to about 30 ft. When I get the shot composed, I press the timer button 2x to get the camera ready to shoot, press the button and step out, or sit down and press the button during group shots.

    In bulb mode I do the same. Press the timer 3x to get it ready, press to start the shot and step away. Come back and press the button again and it stops the shot.

    Works just like it is supposed to.

    One thing to remember is to set the camera's time to receive the signal. The camera automatically turns the IR off after a certian amount of time. If this happens, it won't accept it until you turn it back on. If you'll be taking a lot of shots, just change the camera's setting to look for the remote for 5 minutes or so.

  • It's no surprise that when you stand in front of the camera and push the button, the remote triggers the shutter. There does seem to be some confusion in reviews, both here and elsewhere, as to the remote's ability to focus the lens before triggering the shutter.

    This remote is capable of focusing the lens before triggering the shutter. However, it will not focus the lens if the photographer has already pushed the shutter release button on the camera half way down to focus the image or if you are shooting in Manual mode and have AF-C set as the Autofocus mode.

    This means that if you are composing a photograph and push the shutter button half way down to focus the image and you then stand in front of the camera and push the remote button, the image will not focus because you've already pushed the camera shutter release button half way down to focus. To get the image to focus while you are standing in front of the camera, compose the shot but do not push the camera's shutter release button half way down, get in front of the camera and then push the button.

  • I love the design of it, it's very easy to set up with my D5000 and as long as you set your camera to receive signal for several minutes you'll be ok.

    The only thing that im not crazy about is the range or maybe the signal strength, because it can sometimes work at long distances like 10ft, but sometime it wont work at short distances like 4ft, but i think it has to to with interferences.

    Asides from that, I think everything about it is great.

    Read more review>>>

Nikon D300 Digital SLR Camera (Body Only) review

Product Description

With professional production and performance feat
ures 12.3 million effective pixels-D300 as new technology has advanced features inherited from Nikon D3 announced a new digital SLR cameras for professional photographers and serious performance with outstanding agility.

Similar to the D3, the D300 features Nikon's exclusive EXPEED Image Processing System that is central to driving the speed and processing power needed for many of the camera's new features. The D300 features a new 51-point autofocus system with Nikon's 3D Focus Tracking feature and two new LiveView shooting modes that allow use
rs to frame a photograph using the camera's high-resolution LCD monitor. The D300 shares a similar Scene Recognition System as is found in the D3; it promises to greatly enhance the accuracy of autofocus, autoexposure, and auto white balance by recognizing the subject or scene being photographed and applying this information to the calculations for the three functions.

The D300 incorporates a range of innovative technologies and features that will significantly improve the accuracy, control, and performance photographers can get from their equipment. Its new Scene Recognition System advances the use of Nikon's acclaimed 1,005-segment sensor to recognize colors and light patterns that help the camera determine the subject and the type of scene being photographed before a picture is taken. This information is used to improve the accuracy of autofocus, autoexposure, and auto white balance functions in the D300. For example, the camera can track moving subjects better and by identifying them, it can also automatically select focus points faster and with greater accuracy. It can also analyze highlights and more accurately determine exposure, as well as infer light sources to deliver more accurate white balance detection.